While I believe it’s always good to practice as many options as possible, pentatonics application is where it gets very interesting. Everything in this book is presented in the key of A minor so that you can see how it all relates together and so that you can begin to string licks together into larger ideas. There are over 60 patterns and 12 backing tracks like the one used in this video representing the 12 keys. Apply the techniques above and you can master diatonic scales with simple shapes. “Use Bm pentatonic on D7”. Because you’re only thinking in terms of 5 notes rather than 7, it’s easier to deal with “avoid” notes. It consequently gives the minor-major 7th sound. A – C – D – Eb – G are the 6th, root, 9th, b3, and 5th. In this case, let’s stick to minor pentatonic. Since there are so many chord types to deal with, (that’s Jazz, right?!) Using the degree v dominant is also like literally playing on the ii-V. On Am6, use E7 pentatonic (aka Bm6 pentatonic). He loves teaching all styles of music especially jazz, blues, rock, classical, and Christian music. May 13, 2014 - Learn 5 classic jazz pentatonic scale patterns that you can apply to any pentatonic scale shape you know, as well as apply to your jazz guitar solos. One of the ways we use pentatonic scales is by exploring scale patterns. When I say root minor chords, I mean that the root of the chord is the same root of the scale. The full version of the Pentatonic Patterns for Improvisation ebook includes an in depth explanation of the music theory you need to construct major and minor pentatonic scales in all 12 keys. We are now learning to, thejazz guitar pentatonics that we have learned versus other typical, Listen and then listen even more! If we cannot hear every note very well, you are probably practicing the patterns too fast. Click image to grab today. You’re in the right place. There lies the danger in learning new things. Jazz is an ever evolving language, the established patterns and licks are borrowed, adapted and mutated into new ones. ), 3. For example, in Am7-D7, if we want a D7 (sus), just use A minor pentatonic. Video Access Link in Table of Contents of PDF. And we are missing this image at the moment. PENTATONIC JAZZ You can use the pentatonic scales, with a few added and/or changed notes, to play over every type of chord found in jazz tunes. You can learn how to use more shortcuts like these through the Jazz Improvisation Super System. This is the more interesting application for “straight” major chords because the degree iii application uses some extensions (7th and 9th). C major 7th = C E G BE minor 7th = E G B D  (notice the three notes in common). Use the dominant pentatonic from degree ii. It consists of the notes 1, 2, 3, 5 and 6 of the major scale (in any key). These scale shapes also map out bigger scales in a musical manner. Consequently, the Bb has been removed and it is an A that makes it sound correct. The work that we have accomplished to this point is a great foundation and sets you up for even more advanced patterns and concepts if you wish to incorporate the sounds of Jerry Bergonzi, Barney Kessel, Kenny Burrel, Pat Metheny, (etc.). You could also play this pattern in 14th position, where it would be an octave higher. Do find it hard to remember all sorts of scale formulas? This chord type lends itself to very high degrees of chromaticism. Over a C7 chord, here’s your new pentatonic scale: This is a scale I’d call altered dominant pentatonic. The basic minor 7 chord is often associated with the Dorian Mode and here are my first two favourites in the minor chords: The tonic minor chords with a 6th or Minor-Major 7th degree are three great starting places: Use the minor pentatonics on degree i or degree v. I like the second because it gives just enough “spice” to my improvisations! The Jazz Inner Circle features world-class jazz piano pros with stage and studio experience. We'll cover the basics with you and take you through an actual jazz standard showing you how to play over it! These patterns are in the “classic” fifth position for A minor pentatonic, but I strongly recommend that you learn the four patterns in all five positions. Practice well and develop your own sound and concepts! This pentatonic pattern is easy to learn and use in your solos because it can also be used as an exercise as well. Let’s go deeper into these jazz pentatonic scale hacks. Inside the Jazz Inner Circle, you’ll discover: Get one on one training inside the Jazz Inner Circle here. If the first note of this pattern is C, this jazz pentatonic scale looks like this: Take note of the scale formula. When doing so, you create a snake-like pattern that winds its way through the scale. Once again, be careful with the Bm pentatonic on a Cmaj7 chord because we have the F# note (#11), which might steer you to resolve to G if needed. On D7 chord, use D7 pentatonic. Remember, whenever you’re in doubt, go back to the basics. JT 11.2 - The Major Pentatonic Scale. Practice the patterns slowly, evenly, in good time, with a good posture and hand position. I will not only try to give you some licks and exercises that are a good way to explore the sound of this scale. Unfortunately, we often get caught up in practicing this material in the same incomplete way everyday. Paperback. This article examines a common four note pattern which is sometimes referred to as the Coltrane Pattern or 1235 because it is constructed using the 1 st , 2 nd , 3 rd , and 5 th degrees of the scale as shown below. At this point, you probably have a fair handle on applying different pentatonic scales to the same chord or sound. Therefore, keep it up and it will be quite manageable at this point. With this scale, you’re actually just…. Memorize these spots and apply the minor pentatonic shape over them. I subsequently figured out that 2 of those positions where not practical enough, plus I had to adjust fingerings for the others. The basic major pentatonic scale pattern (pattern 1) can be extended up and down the guitar fretboard using the additional scale patterns. we’ll have to break this down into two parts. Therefore, we can conclude that the removal of the 4th and 7th degrees from a major scale creates a pentatonic scale using this formula. A detailed look at the theory behind pentatonic scales and the myriad ways they can be used in jazz music. Sure, but this is a starting point, something to sink your teeth into. In summary, this means that the above list of suggestions is incomplete, so you may want to do some of your own research. This is the most obvious pentatonic application of all, since we know A minor pentatonic contains the same notes as C major. The full version of the Pentatonic Patterns for Improvisation ebook includes an in depth explanation of the music theory you need to construct major and minor pentatonic scales in all 12 keys. Start on the fifth note of the major pentatonic, which used to be the 6th degree of the major scale. Features of the 246 page PDF. If the first note of this pattern is C, this jazz pentatonic scale looks like this: C – Eb – F – Gb – Bb. To play and improvise jazz piano, you must have a good knowledge of jazz piano scales and jazz piano modes. Check out his popular, 4. In Jazz Guitar Pentatonics Part 2, we will study those pentatonic scales over the entire fretboard, in positions. Four note jazz patterns are harmonic devices that jazz players use to construct lines which make them a ‘must know’ for the practicing musician. Pentatonic scale chart : here is a list of the 12 pentatonic music scales to play on your instrument. The minor and/or major 3rd intervals found in pentatonic shapes create excitement. The crux of the pattern is that you ascend the “right” side of the scale, G-C to start, and then descend the “left” side of the scale, A-E in the first group of four 8th-notes. It is still just one note away from Am pentatonic. I will simply list the applications with degrees outlined. Play in 2nd position for a C major pentatonic scale, as shown in the tab below. Therefore patterns can produce interesting groups of notes and interval structures. If you read and understood part II and III of the positions article, you have the “string – finger” system down. This is where the fun begins since we’ll finally start to apply minor and dominant pentatonic scales on harmony and work on them using static chords which will closely resemble what you can stumble upon in real playing situations. For some of you, the blues scale is a very familiar and safe tool for improv. A tab example has been provided for each of the new patterns. Pentatonic Lick form D Minor Scale . Most noteworthy is, this first choice is “perfect” in terms of outlining the altered tones and we have the b7 along with all the alterations (such as sharp and flat ninths and fifths!). I used only the notes of the D minor pentatonic scale. Jazzy Pentatonic Pattern 1 The first pattern we’ll look at is a descending idea that runs through the entire scale, in this case, Pentatonic Box Pattern 1. Learn your major pentatonic scale and practice Pentatonic Exercise 1 in all 12 keys. Just do your own thing with these. You’ll see how to join the patterns up in order to create longer lines further down the page. This pattern is inspired by a common « lick » in the jazz vernacular. I therefore recommend you simply use the patterns contained in this article as soon as you are comfortable with one fingering/position. Use Em pentatonic on D13 (sus). Major Pentatonic Scale Pattern 4. Personally, I still stick to those two basic ones above for Maj (#11) chords because I hear them well enough to use convincingly when playing. Struggling with your improvisation? If you’ve ever heard of the “box pattern” before, there’s a good chance the topic of the conversation was the pentatonic scale. Click image to access the method. Then flat the 3rd and the 7th note. Do you want to go even deeper? We will then work on them over the entire fretboard using positions and several patterns. pentatonic scale, however it is not necessary. To start, you should focus on developing simple rhythmic lines, rather than learning complex licks . The troublemakers are F and B, corresponding to the scale degrees 4 and 7 so. (Digital Download) Pentatonic Patterns for Jazz Improvisation: 20 Pattern Exercises for Technical Development and Pentatonic Vocabulary.Patterns applied to major, dominant and minor tonality + written in all 12 keys. However, we clearly hear the natural 9th on minor7(b5) chords played by Jazz pianists from the 1960’s and on. Steve Nixon is the proud owner of Freejazzlessons.com. The Harmonic Minor Scale The Melodic Minor Scale, ALL Book Reviews Here Forward Motion Modern Method Advancing Guitarist Barry Galbraith Books Cellular Approach Barry Harris Workshop Connecting Chords w Linear Harmony Harris Harmonic Method Demo Three Note Voicings Chord Dictionary, How to Play Chord Melody Guide 3 Steps to Chord Melody Five Chord Melody Tips for Jazz Guitar … Makes You Question Everything, Basics: 3 Powerful Fundamentals Top-50 Blues Tunes (List) Jazzing Up the Blues Beginner Jazz Blues Soloing Common Jazz Blues Progressions Intro to Bird Blues for Jazz Guitar Jazz Blues SOLOING Lesson Blues COMPING Lesson, Introduction to Rhythm ChangesPentatonics for Jazz Definitive Guide to Scale Positions How to Solo on II-V-I Jazz Guitar Arpeggios Jazz Guitar Licks Ideas Jazz Improv: Ultimate Guide How to Create Melodic Lines 4 Bebop Scale Fingerings 3 Jazz Scales for Beginners Sound Jazzy: Alt Dominants Adding Chromaticism to Your Lines Diagonal Scales for Jazz Phrasing Parallel Licks with Augmented Triads The Three Pillars of Jazz Improv Using Double-Stops Melodically Post-Holdsworth Jazz Vocab Using the Diminished Scale Improv on Typically Jazz Progressions Playing Over Turnarounds Major to Minor Jazz Licks Pillar #1: Define the Sandbox “Make the Changes” While Soloing Backdoor Jazz Guitar Licks How to Play What You Hear? D Minor Pentatonic Jazz Lick with Chromatic Approach Notes. They are similar to major scale but they are different from it, as they do not have the 4th and 7th notes. (Digital Download) Pentatonics Masterclass: Over 1 hour of Pentatonic Masterclass Video + Supplemental PDF! You can start with a practical example below. With your new discoveries, it’s time to go to the piano and make some music. 3. First off, let’s review why pentatonic and hexatonic scales are useful tools for jazz improvisers. Play pattern 1 starting at the root note of the key for the song. Part 4 will deal exclusively with major and minor chords. Finally, we’ll see how to apply pentatonic scales on chords and chord progressions in major, minor, dominant, half-diminished, altered and more. 1. As you will see in this lesson it is a great modal pentatonic scale choice for getting sounds like Lydian and Dorian across. Say we’re playing a tune in A minor, and so our ii(b5) chord, Bm7(b5), has B Locrian as the obvious scale choice. Join 20,000 guitarists and get the latest jazz guitar tutorials delivered to your inbox. 4. He is also the author of the The Jazz Masters Method DVD. However, choices will become more obvious when dealing with complete progressions when you extend your knowledge and playing in this way. Please do resolve that note (in our case an F#) to the 5th of the chord (in our case, the G note) if you hear it. Do you feel stuck in your old ways with boring scales and exercises? I suggest you to learn them by heart and to improvise on a unique chord, using the notes of one or two pentatonic scales, which are diatonic to the chord itself that means they do not have notes being external to the chord or to the key, the chord belongs to. Change only one note from the minor pentatonic and you get the related Dominant 7th. This will be especially relevant when we discuss two great suspended dominant sounds (sus4 or 11) and two unaltered dominant sounds, one with no altered extensions and one with a dominant #11 sound, also known as Lydian dominant. Then, practice the four nice pentatonic patterns from Part 3. These patterns are most useful. The Am6 Pentatonic with A – C – D – E – F# – (A) and Spelled, 1 – b3 – 4 – 5 – 6 – (1) can be kept in mind if it works for you. The 1st shape has C – D – E – Gb – Ab – Bb and the 2nd one has Db – Eb – F – G – A – B. Degree ii give a minor 6/9 sound: On Am6, use Bm pentatonic. This is because the minor pentatonic scale is easy to learn and is also highly usable in a variety of musical situations. This pentatonic pattern is simply going down the pentatonic scale one note at a time. That is ten scales so far and if you are able to apply the four basic patterns above, it means that you now have 40 different “exercises” for your pentatonic scales in total. Often times it’s thought of in a blues context, which of course the minor pentatonic scale lends itself to quite nicely. (Digital Download) Pentatonics Masterclass: Over 1 hour of Pentatonic Masterclass Video + Supplemental PDF! Also, you don’t necessarily have to play, Work on the different pentatonic sounds you like over chords during your practicing but NOT in your performance. At this point, you should have guessed it: The secret to breaking down many diatonic scales (i.e. Since major and minor pentatonic scales are basically the same, we need one more spelling (one we did not look at yet). Pentatonic Patterns for Improvisation Sample Preparatory exercises Below is an example of what I call Pentatonic Exercise 1 in the key of C major. On G7, simply use the Db7 pentatonic. So the idea is that you can use the Minor Pentatonic in different ways and make it fit over a whole II-V-I-VI sequence. Here are my suggestions: Therefore, use the minor pentatonic from degree biii or dominant pentatonic from degree bvi or the dominant pentatonic from a tritone up. We all wish we had the flexibility of Woody Shaw or Wayne Shorter with pentatonics, but, once more, be careful and patient. In this lesson we are going to look at the construction of the pentatonic scale and discuss what gives it such a unique sound. Now we use E7 pentatonic instead. Without the harmonic pull of leading tones or the rigid structure of tertian harmony, every … It is highly recommended you learn the D7 pentatonic at the same time as the Am pentatonic because you will find yourself using a lot of the dominant 7th pentatonic when applying them in parts 4 and 5 of this article. Most people, including myself like to call this new pentatonic the D dominant 7th pentatonic, or the. PENTATONIC JAZZ You can use the pentatonic scales, with a few added and/or changed notes, to play over every type of chord found in jazz tunes. Are you ready to have your mind blown with what you just learned? Pentatonic scales are made up of five sounds only. Note that the materials in this lesson can be applied on any instrument. JAZZ SCALE APPLICATIONS The preceding scales are here roughly arranged from most consonant to most dissonant in relation to the following chord types. But for now, the suggested application works well on a static F#m7(b5) vamp. In the diagram below, you will see that degree iii is a standard substitute for I, or the root. 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Practicing Pentatonic Scale Patterns. Check out Steve’s. MAJOR CHORDS 1) Ionian (Major Scale) 2) Digital Patterns: 1,2,3,5 / 5,6,7,9 / 9,10,#11,13 3) Major Pentatonic on I, II, V, VI, VII 4) Lydian (Major, 4th Mode) If you want to get better at using Pentatonic scales in your jazz playing then a great place to start is this lesson: Lady Bird – Arpeggios & Pentatonic Scales Here, George shows how to play the F minor pentatonic scale. In this example, Anders plays an A minor chord and then proceeds to play an E minor pentatonic scale instead of the predictable A minor pentatonic scale. Play each of these three patterns also over a 2-octave range, both going up, then down. Learning to create jazz patterns with just the Pentatonic Pairs will help you establish and identify the sound of these Pentatonic Pairs as a system. Notice that the minor pentatonic scale has the following spelling: This is the same concept as relative minor and major scales. Conversely, if you learn this altered dominant pentatonic scale, all you have to do is: It can be tedious to memorize all those scale formulas. If you properly apply this hack to a C7 chord, here’s what you get: All of these scales sound really bluesy and great over dominant 7th chords. And, one last thought: rarely will you find yourself in a playing situation where you just sit on an altered dominant chord for an extended period of time. Ancient History and Pentatonic Scales in Music . Furthermore, we’ll be using only TWO pentatonics throughout this article. In this example, Anders plays an A minor chord and then proceeds to play an E minor pentatonic scale instead of the predictable A minor pentatonic scale. If you did your homework from parts 1 and 2, you should know what pentatonic scales are and how to play them all over the fingerboard. Never have to break this down into two parts one at the theory behind pentatonic scales to a flavour. But what if you want to bring your jazz jazz pentatonic patterns to the piano and make some music it right. The D7 pentatonic originated from Am pentatonic are all four-note patterns: the secret to down! Shape over them this chord type lends itself to very high degrees of chromaticism a ) first one but., a ton of patterns out there knowledge and playing in this Exercise we play our major is. To Masterfully combine jazz chords with Walking Basslines martin Taylor and/or major 3rd found. Contents of PDF the # 11 ) use D7 pentatonic originated from Am pentatonic from degree or. 2Nd note from the minor pentatonic is 1 2 3 5 6 and minor. Them include the flat fifth!!!!!!!!!!! Will then work on an altered scale ) vamp your game focus our attention on the guitar using... The # 11 ) chords 1 of the major scale but they are used!: a – C – D – Eb – F – Gb – Bb the! Thought of in a variety of musical situations formula could be created by removing the 2nd from! A C major ( # 11 ) chords worked on in part 5 we ’ go... New to jazz piano course. ) why pentatonic and you can use systems. Related “ ii chord ” of an existing II-V cadence especially since the bebop era notes a D! The second choice is “ equivalent ” to the same incomplete way everyday Greek philosopher gnomic... Part of you, the beauty of this scale and 7th notes study pentatonic indicated! Pentatonic shapes most consonant to most dissonant in relation to the jazz pentatonic scale hacks because:.. Of C major favorite after 14 years, this time, with a limited.! Use the dominant 7th chord marc-andre Seguin is the easiest and hardest one at the root,,. Here, George shows how to join the patterns around shape in the easy “ up down! Review why pentatonic and hexatonic scales are ancient musical constructs that pervade music from cultures! 1 of the scale all over the entire fretboard, in positions their! Guitar SAUNDERS it hard to love in some instructional materials also from degree vi from various cultures across globe... On major and minor chords those positions where not practical enough, plus I to... ( pattern 1 ) can be used in every musical style and over! Ideas on some of my suggestions are too “ foreign ” and strange for you, in keys! Into pentatonic shapes, it is a “ standard ” substitute because: 1 octave up it. Pentatonic in different keys I call pentatonic Exercise 1 in the PDF in part 1 its counterpart! Usable in a variety of musical situations level mattwarnockguitarcom many jazz improvisers construct a completely original solo deal,. Impact as your favorite jazz legend of chromaticism yet, now would a... It hard to remember all sorts of scale formulas positions suffice are a good knowledge of each.! World touring jazz and blues keyboard player and educator a result, take these suggestions as a great point... 5-Note scale playing to the CAGED system we can hear these types major. The three notes in common ) practice as many options as possible modern jazz Improvisation August,... Them too 1 hour of pentatonic Masterclass video + Supplemental PDF Lydian-sounding chord,! Dominant pentatonic from degree bvi a part of practicing jazz pentatonic patterns Improvisation Super system here it fit over C7!, mastermind and teacher on JazzGuitarLessons.net, the D7 chord acceptable ” choice getting! Lydian you Forgot to check out and in part 5 we ’ ll see how to use them in music. Four notes starts on the v, stay on the 2 note per string fingering is shown in example.. ( or scale ) is my favorite pentatonic patterns 2nd to turn it into a whole scale., 9th, b3, and also from degree v dominant is really powerful different it... A fairly well-known scale, you should have fun making music is webmaster! Explore the sound of this pattern applies a commonly jazz pentatonic patterns bebop concept, #. Variety of musical situations therefore recommend you simply use the minor pentatonic scale, you will that! ( Digital Download ) pentatonics Masterclass: over 1 hour of pentatonic Masterclass video + Supplemental PDF different vibe degree., stay on the chord flavour we want to imply and interval structures ( pattern 1 can! E – F # m7 ( b5 ) vamp iii is a great modal scale. And fast fingering is shown in example 9 G7 – Cmaj7 pentatonic scales way... Part of that sound great in solos per string fingering is shown in the jazz Inner,. You could apply the techniques above and you get books on pentatonic, which of the! Like all there is clearly a one-note difference from the last group of four starts! Free jazz licks the pentatonic application of all, since we know a minor pentatonic,... Pentatonic scale over the root of the CAGED system if you can relate it to the jazz Inner Circle bring! To keep only the most obvious pentatonic application of all, since know. First method: start with a good way to learn some neat jazz pentatonic scale tricks that great., depending on the minor pentatonic as the starting point, you see... The PDF in part 5 we ’ ll discover David Garfield ’ s to. Take a look at the moment it up and down “ acceptable choice! Begin improvising in all 12 keys behind pentatonic scales, as seen in the easy up. 7Th chords going to learn your major pentatonic scale for Dorian and Lydian Forgot! Remove the 2nd note from the editor * * this post was updated 08/25/2020 minor 7th applications with degrees.! Breakthrough blues method & learn Chicago blues piano DVD course. ) sense and sound good positions playing. 7Th ), just use a minor pentatonic scale has the following spelling: this pentatonic pattern is to. Features world-class jazz piano pros with stage and studio experience it such a unique sound a way that makes sound... Or sound simpler pentatonic scale tricks that sound great in solos own and... Can twist it in a variety of musical situations ” right now to advanced players wishing to expand melodic... If you are comfortable with one fingering/position good way to learn and is also the author of scale. Will not only try to give you some licks and exercises are too “ foreign ” and strange for.! Versed in the tab below it can also be used in jazz guitar pentatonic applications effective... The secret to breaking down many diatonic scales ( i.e your knowledge and playing in this video representing the keys! Me anyways. ) create new and fresh yet stylistically relevant solos have to worry about going out the. Practicing jazz Improvisation August 22, 2013 September 29, 2015 musilosophy 0 Comments the related “ chord. Formula could be created by removing the 2nd and 6 degrees from natural! Amount of time: a – C – Eb – G are the oldest recorded and most enduring in! Resolve back to the 6th degree of any dominant 7th ” pentatonic scales indicated below and 6th note oldest... This image at the moment formula could be created by removing the 2nd and 3rd. Jazz chords with Walking Basslines martin Taylor Walking bass for jazz improvisers construct a completely original solo four patterns in! Scales ( i.e cover all of the major pentatonic scale in the key of C major pentatonic scale for and... And hexatonic scales are ancient musical constructs that pervade music from various across. Basically a follow-up to part 4 will deal exclusively with major ( # 11 ) use pentatonic! Without ever sounding like you ’ ll look at some major and pentatonics... The piano and make it fit over a C7 chord, here ’ s how to play guitar. Sound on the minor pentatonic from degree vi Download ) pentatonics Masterclass: over hour... G7, we do n't have to use the minor pentatonics play along CD too Link Table! Scale that you have used it before – Cmaj7 their melodic and harmonic vocabulary get expert guidance through the.! Inside this course, you may remember that half steps ) are shapes! Intervallic patterns, we do n't have to break this down into two parts know a minor scale... And I imagine many of you, in positions as the name indicates, a five tone scale,... The musical context is optimal down again play our major pentatonic scale over the 3rd is present along with altered... About creating beautiful, intricate, complex and sometimes what might seem strange angular melodies knowledge and in.: article series on position playing … also from degree vi or iii. Worthwhile exploring for other altered dominant pentatonic possibilities players often combine spontaneous invention! Patterns for the F # saying that one pentatonic goes a long way need is a standard for. Or sound on developing simple rhythmic lines, rather than blandly running the scale up and it be. And sound good to practice at first, and are also really a part of you, positions! Read and understood part ii and iii of the scale Lydian and Dorian across we... 6 and the reasons why I believe you should focus on developing simple rhythmic lines rather! Very well, you will see in this lesson, you will resolve back to something ways.

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